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In Islamic art, the girih are geometric motifs of perfection and symmetry. For the installation I broke the mathematical perfection of the girih-pattern in favour of social perfection.
The small red carpet strips forced the audience to completely change their gait, and the inevitable encounter-clash caused a feeling of uncertainty and unease in the public.
Credist: © Patricia Jacomella Bonola © Dominik Zietlow
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